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From
the living room to the world:
The globalization
of television news
By Andrew White |
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Andrew White
is a producer at the Fox News Channel, covering business news. He has
worked in the media since his junior year in high school, when he covered
high school sports for his town’s daily newspaper.
White graduated from Syracuse University’s Newhouse School of
Communications with a B.S. degree in Television/Radio/Film Production.
He is scheduled to finish the Media Studies Master’s program in
2005. He is a news junkie and a lifelong fan of the Boston Red Sox.
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| Picture
this:
It is September 11, 2001. You live and work in New York City, but on this
particular day, you are in Paris on a business trip. It is early afternoon,
and you are in between meetings. You decide to go back to your hotel and
take a rest, but before you nod off, you turn on the television and flip
through the channels. And you stop as the flaming images of the World
Trade Center dominate the screen. You are seeing world history as it unfolds,
live and unedited.
You are watching CNN. You are alone in your room. Yet at the same time
you are connected with millions of people, sharing the same experience
at the same time. Your emotions might be different than a person watching
in another country. But you can be certain that wherever there is television
with access to a news network, people are watching right along with you.
Now imagine that the same events happened 25 years earlier, in 1976. You
are in Paris, over 4,000 miles away from home, and there is an attack
in New York City. You are in your hotel room watching television, but
you are only connected to the immediate world of local French television.
The only way you would know about the attacks would be via phone call,
from the radio (assuming you understand French) or by a special broadcast
within France. Otherwise, you would have no idea about the events.
And for the time being, that would probably have been fine. Your life
would not have changed dramatically if you didn’t find out about
the attacks immediately. Maybe it would have been 30 minutes. Maybe it
would have been an hour. But you would have been able to survive without
the immediacy of the news.
Today – that would be unthinkable.
Clearly, society was able to function without the benefit (or availability,
depending on your opinion) of live cable news. But the questions remain:
Are we better off with this technology, this immediacy of the news, and
what has been its overall effect on globalization?
To answer those questions, we need to go back in history to examine where
the news business was, and how it has developed. A vital development in
the effect of news on globalization was the creation of what we call international
“news agencies”. Two other major developments in the growth
of the industry, specifically occurring in America, helped the news to
become a global industry: the creation of the program “60 Minutes”,
ushering in the era of news magazines and a new form of news narrative,
and the creation of CNN, introducing the era of 24-hour news reporting.
These developments covered not only structural changes within the industry,
but also made enormous economic impacts, which have become a driving force
behind how news programming is produced.
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| News
Agencies |
Oliver Boyd-Barrett and Terhi Rantanen wrote about what many would call
the “news business” in their essay that introduced their book
“The Globalization of News”: |
(We regard) the development of the concept of ‘news’ as
a process that lies at the heart of modern capitalism and which also
illuminates processes of globalization which modern capitalism has helped
to generate. ‘News’ represented the reformulation of ‘information’
as a commodity gathered and distributed for the three purposes of political
communication, trade and pleasure, and directed in its generic form
by technology, scientism and the development of mass media markets (Boyd-Barrett
and Rantenen, 1998, 2).
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| This
passage arrives at the crux of a very important theory on news: that news,
although an essentially “intangible” entity, is still a commodity
– something that can be bought and sold. And while it took a long
time for news to become a real profit-making machine (within the framework
of the media business), the elements were always in place for the news
to be a generator of revenue.
In order for the news to be a global commodity, there needs to be a supplier
of “news as product”. This begins with the news agencies.
Later in this essay, the development of news magazine programs and cable
news networks will be examined, but before these are discussed, the international
news agency must be explored.
What is a news agency? Quite simply, it is an organization that supplies
print and broadcast outlets with news information. When a newspaper uses
a story coming from the Associated Press (AP) or Reuters, or a television
station uses a report that comes from World Television News (WTN), these
are products of a news agency. The agencies specialize in what is called
“spot news”, or the “journalism of information”
(as opposed to the “journalism of opinion”). The key to the
success (or lack of success) of a news agency lies in its ability to cover
news on an international basis. Because most newspapers and television
networks rely so heavily on news agencies for information, they (the agencies)
are in a unique position to set the world news agenda. Even though the
agencies are not engaged in the “journalism of opinion”, they
are able to influence how international news is covered.
One of the major criticisms of news agencies throughout the years is the
fact that even though they are global entities, their coverage still tends
to focus on western news and events, meaning coverage of America and Europe.
While they are considered to be autonomous organizations, there is no
denying the pressure to cover events that will appeal to the greatest
number of readers and viewers. And this means appealing to a western audience.
Again, this comes back to the notion of news as a commodity. In today’s
global age, the news must be sold by the agencies so that the organization
can remain in business.
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| News
Magazines |
| Throughout
the 1950’s and 1960’s, television news divisions for the major
broadcast networks in America (ABC, NBC and CBS), were all money-losing
operations. There was certain prestige and importance that came from the
nightly news broadcasts, but there was no real advertising revenue generated
from the programming.
Then in 1968, CBS aired a news program called “60 Minutes”.
With its now iconic ticking stopwatch starting each show, “60 Minutes”
broke ground with a new format of news presentation. Its in-depth reporting,
focusing on a few different stories throughout the duration of each edition,
was a fresh way of examining world events. It also did what no national
network newscast was able to do: turn a profit. The program proved that
news could make money, as “60 Minutes” became a top-rated
show, bringing in advertising dollars.
Since the inception of “60 Minutes”, both NBC (“Dateline”)
and ABC (“20/20”) have introduced “news magazine”
programs to the rosters. All three shows have thrived, all three have
given birth to spin-offs (which amount to the same format aired on several
nights during the week). And all three programs have done financially
well in an environment where network news ratings have faltered. The magazine
programs have appealed to a younger audience (especially “Dateline”),
and therefore are able to generate more advertising dollars.
What does this have to do with the globalization of television and the
way the public views news? The answer is in the fact that these programs,
and this format specifically, is easily exported. It is virtually impossible
to translate the evening news to a foreign audience (literally and figuratively).
But a news magazine program features a more-accessible narrative. And
this caused the evening news in America to shift the focus of its own
narrative. Instead of news anchors strictly reading the stories of the
day, more and more short-form taped pieces from reporters were featured
on the broadcasts. The news became almost pulp novel-like in its approach:
short chapters and striking visuals to keep the viewers watching.
A new global product was created: news as entertainment, easily emulated
by news divisions across the world.
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| Cable
News |
If
the creation of “60 Minutes” changed the way networks presented
the news, then the fundamental structure of the actual news organization
changed in 1980.
That is when Ted Turner launched CNN – Cable News Network. Even
with the profitability of “60 Minutes”, no one had dreamed
up the notion that news could be a non-stop, 24-hour a day, seven-day-a-week
money making machine.
But the bold Turner had a vision, and during a time when the networks
were trimming news budgets (in the 1980’s), CNN was expanding its
organization, quadrupling in size from 1980 to 1990. And today CNN, the
Fox News Channel (a 24-hour news network created by Newscorp in 1996)
and MSNBC (NBC’s 24-hour news network) have all seen huge ratings
and profit increases, especially at the start of the 21st century:
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2003
Median and Average Audience Growth versus 2002
Source: Nielsen Media Research |
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Cable
News Profitability (in million/dollars)
1997 to 2003 (Source: Kagan World Media) |
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But cable
news would not have seen such an explosion were it not for some key moments
that allowed the medium to show its full power.
Four major international events have occurred during the recent history
of cable news that shaped and altered the way the entire world viewed
itself, and how specific parts of the world in turn viewed competing areas.
All four events carried significant symbolic meanings as well as major
cultural ramifications that are still being felt today.
The first two occurred in 1989: the protests in Tiananmen Square and the
fall of the Berlin Wall. Both events bring very strong visual images to
mind, in part because of the global reach of television.
During a
time when the Soviet Union and communism were in rapid decline, the images
of a student standing in defiance before a tank in Tiananmen Square and
of Germans scaling the Berlin Wall were not only physical showings of
solidarity, they were symbolic visuals signifying the end of an economic
and political system. These were the first major international events
that, because of CNN, could be watched live by an international audience.
Television essentially “shrunk” the world, bringing the unfolding
images of Beijing and Berlin to a global audience.
The third was the Gulf War in 1991. This is the event that catapulted
cable news into the consciousness of a world audience. If the Vietnam
War was the first conflict that television brought into the living rooms
of Americans, the Gulf War brought a war to the entire world.
The fourth was the Al Qaeda attack on 9/11 and the subsequent “War
on Terror” (which is an ongoing story). This has made the most impact
in terms of the globalization of the news industry.
Start with the scenario presented at the beginning of this essay. It is
not hyperbole to say that the world was watching when the Twin Towers
came crashing down. Granted, cable news does not reach every television
in the world; not all sets are wired with the technology to receive CNN,
FOX, MSNBC or any other cable network devoted to news (via cable or satellite).
But hundreds of millions of television sets throughout the world are able
to pick up some form of live news at any point during the day.
And the coverage was distinctly American. In the days after the attacks,
Fox News began featuring an American flag in the upper-left corner of
its screen (something it still uses). CNN and MSNBC followed (both have
dropped the flag). It was a national show of unity, but because of the
international reach of cable news, there was a sympathy that was extended
to America from the rest of the world.
However, as the war in Afghanistan began and as the following war in Iraq
is now being waged, American coverage is increasingly being viewed almost
as a version of state-run media. Chomsky and Herman discuss a “propaganda
model” in the book “Manufacturing Consent”, where the
private media is essentially seen as an arm of the state. The international
audience has begun to sense that this is the model being used. The international
press has become increasingly critical of the American cable news “machine”,
causing the sympathy towards America to evaporate.
Cable news has created a total contradiction in terms of what it has meant
to a world audience:
Cable news has made the world smaller – meaning international
outlets such as CNN, Fox News Channel, the BBC and Al Jazeera have created
a “global news village”, where those with the means can
watch stories from around the world. This has given people several commonalities
on which to base a shared experience (albeit from different world perspectives).
Cable news has also made the world a more separate place – meaning
that the heavy influence of “Americanized” news has made
the division between America and the rest of the world more severe.
Instead of uniting the “global news village”, the news has
placed a wedge between civilizations.
The overall development of the news industry has certainly made some positive
impact on the global community. The vast resources that news stories are
given for coverage has added to the quality of the production of news
reporting. However, as the actual ownership of media outlets has been
reduced to a few very powerful companies, there is a danger that international
news reporting will become narrower, instead of becoming wider in its
scope.
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CITATIONS,
SOURCES, LINKS, NOTES:
Works Cited
Boyd-Barrett, Oliver and Tehri Rantenen. The Globalization of News. London:
Sage Publications, 1998.
Suggested
Readings:
For additional information dealing with television news, the overall
“technology” of television and the theory of globalization
as applied to television and news content, the following books are recommended:
“Television: Technology and Cultural Form”
by Raymond Williams. Originally published in 1974, this book had been
out of print for several years but is now available through Routledge
Classics. The book examines the technological development of television
and a medium and explores the notions of programming “flow”
– which is how a network designs its programming in order to keep
the maximum number of viewers throughout a specific time period.
“The Globalization of News” edited by Oliver
Boyd-Barrett and Terhi Rantanen. This volume is a collection of essays
that examine how news has become a commodity that is part of the global
economy.
“Manufacturing Consent: the Political Economy of the Mass
Media” by Edward S. Herman and Noam Chomsky. A seminal
account of the correlation between media, capitalism and government,
this book offers a critical approach to the way news is producers, especially
detailed in the first chapter, titled “A Propaganda Model”.
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